Changes
in cultures may seem to be abrupt, but the underlying social process seldom
experiences the changes, argued David Harvey, a Marxist Sociologist as well as a
geographer, in his book “The Condition of Postmodernity”, a book on the shift
from modernity to postmodernity.
What is postmodernity
Harvey
uses architectures, arts, media and so on as examples to describe the general
concept of postmodernity. He concludes that postmodernity is represented by its
fragmentary, ephemeral and chaotic characteristics. The table below shows the
comparisons between modernity and postmodernity (detailed in the table of page
340).
Modernity
|
Postmodernity
|
Economics of scale
|
Economics of scope
|
Hierarchy
|
Anarchy
|
Homogeneity
|
Diversity
|
Detail division of
labor
|
Socialdivision of
labor
|
Monopoly capital
|
Entrepreneurialism
|
State power
|
Financial power
|
Trade unions
|
Individualism
|
Ethics
|
Aesthetics
|
God the Father
|
The Holy Ghost
|
Materiality
|
Immateriality
|
Blue collar
|
White collar
|
Semantics
|
Rhetoric
|
Centralization
|
Decentralization
|
Operational management
|
Strategic management
|
Narrative
|
Image
|
Utopia
|
Heterotopias
|
Function
|
Fiction
|
Becoming
|
Being
|
Epistemology
|
Ontology
|
State interventionism
|
Laissez-faire
|
For
instance, a typical modern building is somewhat simple, valuing its function.
On the other hands, a typical postmodern building is somewhat chaotic. An
office building of postmodernity may have forests in its mezzanine floor, which
represent a fictional space.
Take
another example. Art of modernity is somewhat simple. For instance, the arts
born during the civil revolution represented very simple enlightenment agenda.
Art of postmodernity, on the other hand, is more chaotic. As a typical
postmodern art, Harvey cited an advertisement of Citizen (watch), in which a naked
woman wears only a watch. He says that this advertisement engages directly with
the postmodernist techniques of superimposition of ontologically different
worlds that bear no necessary relation to each other. (page 64)
Underlying substructure of postmodernity
Harvey
uses the concept of substructure-superstructure relation proposed by Karl Marx,
arguing that there only was the change in production style during the shift
from modernity to postmodernity.
Substructure
of modernity is organized capitalism, best typified by Fordism mass production.
Concentrated and centralized production, large commercial and monopoly capital,
state powers, expansion of economic empires and the others represent this
capitalism. Harvey argues that modernity is the response to this production
relation.
Postmodernity
is not the mutant, Harvey argues. The shift from modernity to postmodernity merely
represents a change in the production relation in the society, to which
superstructure corresponds. The “Disorganized capitalism” is represented by
de-concentration of corporate power, internationalization of capital, decline
in state power, outright decline of class-based politics and institutions and
so on (the contrast between organized and disorganized capitalism is shown in
page 175).
The
technology advancement also had significant influence on the production
relations, through “compressing the time and space”. Harvey argues that
time-space compression is the conspicuous characteristic of postmodernity. For
instance, the development of aviation industry made the world smaller, enabling
the globalized production relations. The progress of information technology brought
about just-in-time production. Using the words more familiar to us, we can say
that the globalization and worldwide collaboration brought about the mixture of
different cultures, spontaneous activity of people around the world, and so on.
Thus
Harvey argues as follows in the beginning of this book.
“There
has been a sea-change in cultural as well as in political-economic practices
since around 1972.
This sea-change is bound up with the
emergence of new dominant ways in which we experience space and time.
While simultaneity in the shifting dimensions
of time and space is no proof of necessary or causal connection, strong a
priori grounds can be adduced for the proposition that there is some kind of
necessary relation between the rise of postmodernist cultural forms, the
emergence of more flexible modes of capital accumulation, and a new round of
‘time-space compression’ in the organization of capitalism.
But these changes, when set against the basic
rules of capitalistic accumulation, appear more as shifts in surface appearance
rather than as signs of the emergence of some entirely new postcapitalist or
even postindustrial society.”
Consequences of postmodernity
Harvey
argues that the time and space cannot be free from social affairs. They always
express some kind of class or other social content, and are more often than not
the focus of intense social struggle. In the developed capitalism, the time and
space are more tightly connected with money. For instance, in the postmodernity, people may
seem to enjoy more liquid labor market, but that phenomenon is the reflection
that time is more closely connected to capitalism. This new production relation
could be the bedrock of Lassies-faire and “self-responsibility”, the shift that
Harvey issued an warnings.
Remarks
Though
some arguments are not logically clear to me, it is valuable to see
postmodernity from the perspective of historical materialism.
The
book shows us how to predict what will come next. 21th century will mark the
full-fledged globalization and information technology advancement, which are
changing our production relations and thus lead to the corresponding cultural
changes, some of which are already in progress.
Reference
David
Harvey, “The Condition of Postmodernity”, Wiley-Blackwell, 1992/4/16